The Washington National Opera’s brilliant revival of “Manon Lescaut” demonstrates that as early as 1893, when Giacomo Puccini was writing this, his first popular work, he knew well how to use music to ...
If Puccini knew one thing, it’s that nobody got rich by underestimating the public appetite for sex and seediness. In order to make his mark on the operatic world he took the bold decision to ...
Dallas Opera's Gregory Kunde and Kristin Lewis perform in a dress rehearsal of Puccini's Manon Lescaut at the Winspear Opera House in Dallas on Feb. 27. (Lawrence Jenkins / Special Contributor) The ...
Kristine Opolais in Act 2 of ‘Manon Lescaut’ (all photos by Ken Howard, courtesy Metropolitan Opera) (click to enlarge) The Met’s new production of Puccini’s Manon Lescaut, directed by Richard Eyre, ...
Manon Lescaut is an opera in four acts by Giacomo Puccini. The story is based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost and should not be confused ...
Giacomo Puccini was right on time. With Italy’s greatest opera composer, Giuseppe Verdi, in the twilight of his career, it appeared the country’s status as an operatic epicenter might end with the ...
First impressions are important, but they shouldn't lead to snap judgment. It is usually wiser to stop and think, but in the world of opera – especially Puccini – lovers tend to fall in love at first ...
Manon Lescaut is an opera in four acts by Giacomo Puccini. The story is based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost. The libretto is in Italian, ...
TimesMachine is an exclusive benefit for home delivery and digital subscribers. About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online ...
CLEVELAND, Ohio – The Cleveland Opera is doing it again. Setting aside mainstream repertoire, it’s producing an opera largely unknown in Northeast Ohio. This Friday and Sunday, at the Tudor Arms Hotel ...
On the minus side, any contemporary rendering of a slight-ish melodrama adapted from Abbé Prévost’s 1731 novel goes against the grain of the depicted attempts to send our pleasure-loving young heroine ...
Kent has taken on the laudable task of updating the opera, moving the action away from its 18th century setting to find contemporary resonances. But there are big problems: no one sends their ...
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